Buy a tape or ruler that has both metric and American measurements.
I've had the best success with Cherry. I've tried Oak, Maple, and Mahogony with limited success. The Maple and Oak are a little hard to work with and Mahogany has a tendency to split or crack over time. I've replaced many bars. Cherry has proven to be the right combination of workability and durability. It's not too expensive, just don't ask for "clear" Cherry.
Look for PVC Schedule 20, Storm and Drain pipe. This is the thin walled PVC NOT the thick walled Schedule 40. The Schedule 40 is very heavy and adds a lot of unnecessary weight.
Try and find a 4" White PVC S&D 90D Elbow at a plumbing store or hardware supply outlet. Couple the 90 D Elbow with a 4" PVC Elbow hubxhub. The resonator pipes will end up being a little shorter than the measurements in the book. Just cut them to the written measurements and then tune carefully. Remember to tune them to A = 443.
3a. Does the use of these Elbows affect the tuning? If so how do I adjust?
I've found that the following lengths for the 4" pipes work very nicely with the above PVC elbows:
3b. Are there adjustments that I need to be aware of for the Aussie resonator pipes?
Yes. I've found that the following lengths are appropriate and account for the difference in American and Australian PVC pipes for the Aussie. These lengths work best with the rounded 2" end caps. Add 10 mm to each length if you want to use Flat end caps: (You can download this information as a pdf here.)
- C 600 mm - cap
- D 530 mm - cap
- E 465 mm - cap
- F# 410 mm - cap
- G 385 mm - cap
- A 345 mm - cap
- B 305 mm - cap
- C' 285 mm - cap
- D' 245 mm - cap
- E' 205 mm - cap
- F# 180 mm - cap
- G' 170 mm - cap
- A' 145 mm - cap
- B 125 mm - cap
(1 1/2" Pipe)
- D'' 126 mm - cap
- E'' 105 mm - cap
- F#'' 90 mm - cap
- G'' 80 mm - cap
- A'' 65 mm - cap
8p finish nails. I've found that 8p common nails work well also. You can buy vinyl tubing, black or clear, to use as a bushing. This holds the bars securely while still allowing them to vibrate freely. You'll need to drill the holes in each bar a little larger to accomodate the head of the common nail. Bushings are not necessary but can keep the bars from rattling against the nail.
Use 1 1/2" self-drilling hex head screws. You can use an attachment on your electric drill to make quick work of these.
I've found that Bass mallets from American Drum (P31) or the natural rubber Walt Hampton signature mallets (P32) get the best sound from the bass marimba. Medium rubber mallets (P12) from American Drum do quite well on the 3 1/2 octave marimba and the mini's. For the upper registers and smaller mini's, get the hard rubber mallets (P13) from American Drum. Tom Bourne Mallets are equally good and more authentic to the Marimba playing styles of Zimbabwean mallet music. All of these are reasonably priced.
If a marimba or xylophone bar is out of tune it is not difficult to restore it to the correct pitch. Chiselling or rasping (or even sawing) under the middle of a tone-bar will deepen its pitch. Removing wood from the ends will raise the pitch. If the bars are cracked or split, they will need to be replaced. If your marimba has bars suspended on rope, make sure the rope is not sitting on the wood frame. Tighten the rope if necessary.
You can check the tuning of a pipe resonator by tapping on the cap while holding a chromatic tuner near the open end of the pipe. If the tube is flat, remove the tube from the frame and shave just a little off the open top. Continue checking the pitch with the chromatic tuner. If the tube is sharp, you'll need to make an open endcap for it with at least half of the cap cut away. The size of the opening can be adjusted as the pitch is checked with the tuner.
This refers to a piece of quarter round lumber used to install the baffles in the box resonated marimbas.